My Favorite High School Class
I think I would have to go with my AP music theory class. I enjoyed most of my classes (I even have some great memories from a step aerobics class), but this class was unique in subject matter and construction.
The class was held B-4 (so after lunch), so we were full of food and happy when we got to the classroom. It was a really laidback class because it was held in the choir room, so we got to spread out on the steps and relax. It was a small group, probably 12-15 students, and we were all interested in music (many of us at least thought of majoring in music in college) so that weeded out distracting elements. Classes really are a lot more interesting when everyone wants to be there.
I just loved all of the subject matter. We didn’t only study theory, we also studied the history of music and did our own minor compositions. I loved hearing and analyzing all of the great composers. I also, nerdily enough, loved harmonic chord progression, including the circle of fifths. For some reason, I really enjoyed the structure of the scale and playing through the circle of fifths on my clarinet. It was especially fun when you could do natural minor, harmonic minor, and melodic minor as well, complete with arpeggios and thirds. It was just really satisfying to be able to sit down to any piece of music and be comfortable with the key.
I also really enjoyed sight-singing and music transcription. To help with out sight-singing, we learned the solfege syllables (which helped to memorize intervals) with their accompanying hand signals. We would be given a never-before-seen piece of music, a minute to scan it, and then we would sing and sign. For transcription, we would get blank staff paper and pencil and two listens of a piece of 4-part music. As we listened, we would fill in the notes. Sometimes it was hugely frustrating, but it was incredibly rewarding to be able to translate that sound onto paper to be reproduced.
My favorite part of the whole class was the final project we all did. For it, we had to study the history of a particular composer and then do an analysis of one of his/her works. I chose Carl Maria von Weber because I was working on his Clarinet Concertino as an audition piece. It was perhaps the first serious research project I’d ever done and I loved making connections between von Weber’s biography and his musical style. It’s something I still like to use when I teach music in my Humanities classes.